I got so involved in Art Jail, Day Four that I'm just now getting a chance to post about yesterday. I think that's a good sign. :) Yesterday my dear friend and fellow artist Marissa Lehner Bannister, knowing my week's plans, thought of an "art field trip" that I would enjoy...a drive to historic Clarence Center, east of Buffalo. Founded in the early 19th century, the town is very charming, filled with federal-style brick homes, an Italianate business block, and tons of Civil

Yesterday was a chance to escape for a day, to a place I'd barely explored. I arrived in the Clinton-Bailey neighborhood- where I HAVE visited the farmer's market, the wholesalers nearby, but this time I had a different purpose: I snuck into an industrial complex where I wasn't supposed to be! (Though there was no sign barring strange artists drawn to historic buildings). The warren of brick and metal structures at the intersection of Bailey Avenue and Clinton Street had long

I am a freelance artist, historian and event planner, focusing on emotional connection to place. And I have a problem. Most of my art commissions and historical research contracts take place in the summer - the precious, short summer. I am grateful- as a freelancer, you take the work when it comes. However, I quickly get burnt out when the horizon appears to contain no free time for my own projects. So, I have stolen a phrase from my friend Tara Sasiadek, a fellow freelance a